Catalina Insignares is a Colombian choreographer and dancer based in Brussels. She’s interested in how to use the sensorial and fictional means of the body and of touch to develop ways to communicate with the invisible. Her practice includes, among others, a duet danced with a participant over a few weeks (us as a useless duet—2015), a night reading addressed to sleeping bodies (useless land—2017), and sensory practices that listen to the connections we have with the dead (landscapes of the dead – 2019; to know the vultures so well—2022). She works always in collaboration and long-term associations for choreography, dramaturgy, teaching and performance. Since 2015, she collaborates with Carolina Mendonça, maintaining close complicity in different manners of working together in: reading groups, telepathic dances, psychic vision sessions, caress and massage populate these encounters. Since 2017, she has been working with Myriam Lefkowitz as a performer as well as in a collaboration that seeks to infiltrate sensory practices in the social and political realities of exiled people (La facultad—2017). From 2019 to 2022 Catalina developed her research as part of DAS THIRD in Amsterdam. Since 2019 she is a co-curator at the Gessnerallee in Zurich, where she developed the festival El Caldo and the curatorial program Discrete.