Kerstin Brätsch

Professorin für Freie Malerei 

DAS INSTITUT (Kerstin Brätsch & Adele Röder), Flame Creatures, 2015 Multi-channel sound and light installation with Paintings by Kerstin Brätsch and neons by Adele Röder as well as samples from ‘Lonely Drums’ by Sergei Tcherepnin and ‘Stupid Thing’ by Wally Blanchard Serpentine Galleries London

Photo: Uli Holz

Kerstin Brätsch, Full-Fall presents Kerstin Brätsch (Poli’ahu’s Cure), 2016, Gio Marconi, Milan, Italy Photo: Andrea Rossetti

Kerstin Brätsch,

links: Unholdenfrau (zweite Dame), 2015, All Ready Maid Betwixt and Between” series Luster, enamel, and Schwarzlot on antique glass, rose window shards, glass jewels, agate slices, lead 60 x 90 x 2 cm

Photo: Gert Jan von Rooij

rechts: Holo Mai Poli’ahu: Facefold (dritte Dame), 2012-2016 “All Ready Maid Betwixt and Between” series Luster and Schwarzlot on antique glass, church-window bordering, glass jewels, agate slices, lead 94.2 x 66.7 x 2 cm

Photo: Andrea Rossetti

Kerstin Brätsch, Innovation, 2017, Museum Brandhorst, Munich, Germany

Photo: Uli Holz

Kerstin Brätsch, Unstable Talismanic Rendering _Schrättel (with gratitude to master marbler Dirk Lange), 2017 Pigment, water color, ink and solvent on paper 108 x 72 inches

Photo: Kirsten Kilponen

Kerstin Brätsch Unstable Talismanic Rendering _Homo Sacer (with gratitude to master marbler Dirk Lange), 2017 Pigment, water color, ink and solvent on paper 108 x 72 inches

Photo: Kirsten Kilponen

Kerstin Brätsch, _Ruine, Installation view 2018, Fondazione Memmo, Rome, Italy

Photo: Daniele Molajoli

Kerstin Brätsch, Fossil Psychic for Christa (Stucco Marmo), 2019 Plaster, pigments, glue, wax and oil on honeycomb, felt 38.2 x 54.7 x 2 in

Ph: Daniele Molajoli

Kerstin Brätsch Fossil Psychic for Christa (Stucco Marmo), 2019 Plaster, pigments, glue, wax and oil on honeycomb, felt 23.23 x 34.65 in

Photo: Daniele Molajoli

KAYA (Kerstin Brätsch & Debo Eilers), KAYA_YO-NAH YO-HO (Healing performance for a sick painting) with Kirsten Kilponen Sound by Nicolas An Xedro 2018, Bärenzwinger, Berlin, Germany Photo: Johanna Landscheidt

KAYA (Kerstin Brätsch & Debo Eilers), Herzogpark Burial, Performance 2015, Deborah Schamoni, Munich, Germany

Photo: Dominik Bindl

KAYA (Kerstin Brätsch & Debo Eilers), N.O.Madski presents Klub KAYA, 2015, Deborah Schamoni, Munich, Germany

Photo: Ulrich Gebert

KAYA (Kerstin Brätsch & Debo Eilers), N.O.Madski presents KAYA V, 2015, Galerie Meyer Kainer, Vienna, Austria

Photo: Uli Holz

Vita

 

  • geboren in Hamburg
  • lebt und arbeitet in Berlin und NYC
  • 2005-2007 MFA, Columbia University School of The Arts, NYC
  • 2001-2008     Universität der Künste, Berlin (Meisterschüler Prof. Lothar Baumgarten)

 

Lehrtätigkeit

 

2014/2015
Gast-Professorin für Malerei, Akademie der Bildenden Künste München
2017
Gast-Professorin für Malerei, Hochschule für Bildende Künste Hamburg

 

Visiting artist lectures, workshops und studio visits:

 

Columbia University, NYC
New York University, NYC
Rudgers University, NY
Bard College, NY
School of the Art Institute of Chicago
Yale University, New Haven
University of Pennsylvania
Hochschule für Bildende Künste Braunschweig
Kunstakademie Düsseldorf
Madre Museum Naples (as KAYA)
Tokyo Wondersite, Tokyo
Kub Arena Bregenz (as KAYA)
Künstlerhäuser Worpswede


Einzelausstellungen

2020 

  • Bergdorf Goodman, Schwabinggrad München, KAYA and Stephan Dillemuth 
  • The Juwel Box, SCAD Museum of Art, Savannah, GA, USA. As KAYA

2019

  • Fossil Psychics for Christa, The Museum of Modern Art, Petrie Terrace  café, NYC, curated by Yasmil Raymond
  • Various Others, with Paul Gondry invited by MX Gallery, Deborah Schamoni, München, Germany. As KAYA

2018

  • KAYA The Store presents_ Capri, Düsseldorf (GER), As KAYA with CFGNY, Nic Xedro, N.O.Madski, Nhu Duong, curated by Gesine Borchert
  • Aktive Asche_ Bärenzwinger Berlin (GER), Johannes Paul Raether & Mariechen Danz feat. KAYA with Nicolas An Xedro, curated by Nadia Pilchowski
  • KAYA friends and Family, Tropez, Freibad Humboldthain, Berlin (GER), KAYA featuring Mariechen Danz and Johannes Paul Raether with Sound by Nicolas An Xedro, curated by Nele Heinevetter, Kerstin Brätsch_Ruine / KAYA _KOVO, Fondazione MEMMO, Rome (IT)        Including KAYA featuring An, curated by Francesco Stocchi
  • M△XM△GM△L△▽△, UNITED BROTHERS and Kerstin Brätsch at Gio Marconi,Milano (IT)

2017

  • Per_formare una collezione, The Show Must Go_ON, Madre – Museo d’Arte Contemporanea Donnaregina, Naples  / KAYA NAPOLI, workshop
  • MADREscenza – Seasonal School, Naples (IT). As KAYA
  • Kerstin Brätsch. Innovation, Museum Brandhorst, Munich, with DAS INSTITUT, Full-Fall, Gaylen Gerber, Jane Jo, KAYA, Alexander Kluge, Kathrin Sonntag, and UNITED BROTHERS

2016

  • Full-Fall Presents Kerstin Brätsch (Poli‘ahu’s Cure), Gió Marconi, Milan
  • DAS INSTITUT, Serpentine Sackler Gallery, London.  As DAS INSTITUT, with Sergei Tcherepnin, Allison Katz, and Alexander Kluge, incl. performance by Ei Arakawa with Hālau Hula O Na Mele ‘Āina O Hawai’i

2015

  • N.O.Madski presents Klub KAYA, Deborah Schamoni, Munich. As KAYA, incl. Herzogpark Burial, performance with students of the Akademie der Bildenden Künste München
  • Kerstin Brätsch: Pele’s Curse, Arts Club of Chicago. With Gaylen Gerber and Mariechen Danz
  • N.O.MADSKI presents: KAYA V, Galerie Meyer Kainer, Vienna. As KAYA
  • KAMP KAYA feat. KAYA and Guests, Kub Arena, Kunsthaus Bregenz, Austria. Summer camp as KAYA, with students of the Akademie der Bildenden Künste München, Sonja Gerdes, Michel Vvolta, and Daniel Chew as Burmamyanmar
  • Kerstin Brätsch + Mount Trailer, August Macke Prize Kunstverein Arnsberg, Germany. With students of the Akademie der Bildenden Künste, Munich
  • KAYA PARAMOUNT, Freedman Fitzpatrick, Paramount Ranch, Agoura Hills, California. As KAYA, incl. Town burial, performance by KAYA with Daniel Chew as Burmamyanmar

2014

  • Kerstin Brätsch / DAS INSTITUT, Kunstpreis der Stadt Nordhorn 2014, Städtische Galerie Nordhorn, Germany. With DAS INSTITUT
  • Unstable Talismanic Rendering, Gavin Brown’s enterprise, New York. Incl. Clouded in Veins, performance by Mariechen Danz
  • KAYA IV, Green Gallery, Milwaukee, USA. As KAYA, incl. KAYA Green, performance by KAYA with Daniel Chew as Burmamyanmar

2013

  • Sol per sfogare il Core (painting as Monster), Bomarzo, Italy. Performance with Davide Stucchi and Am Nuden Da 
  • BuyBrätschWurst_compressed, Dingum at Wurstpate Imbiss, Berlin. Food performance with Oxygenenergizer by Sonja Gerdes
  • KAYA III, 47 Canal, New York. As KAYA, incl. performance by Daniel Chew as Burmamyanmar

2012

  • Maler, den Pinsel prüfend, Gavin Brown’s enterprise, New York. With DAS INSTITUT, GianCarlo Montebello, and UNITED BROTHERS, incl. IWAKI ODORI (sunset), performance by DAS INSTITUT and UNITED BROTHERS with Sergei Tcherepnin
  • Spritz!, Green Tea Gallery, Iwaki, Fukushima, Japan. As DAS INSTITUT
  • Films & Windows (I), Nadja Abt / Kerstin Brätsch, Mathew Gallery, Berlin
  • KAYA II, Various Small Fires, Los Angeles. As KAYA 
  • Glow Rod Tanning with … / COMCORRÖDER, Gió Marconi, Milan. With DAS INSTITUT, UNITED BROTHERS, and Martino Gamper, incl. Simultaneous Studios, photo shooting by DAS INSTITUT and Lucas Knipscher

2011

  • BLACKY Blocked Radiants Sunbathed, Halle für Kunst Lüneburg, Germany. As DAS INSTITUT with UNITED BROTHERS, incl. BLACKY Blocked Radiants Sunbathed, performance by DAS INSTITUT and UNITED BROTHERS with Nhu Duong
  • Vorahnung [United Brothers and Sisters], Kunsthalle Zürich / Museum Bärengasse. As Kerstin Brätsch and Adele Röder, with DAS INSTITUT and UNITED BROTHERS
  • Kerstin Brätsch & DAS INSTITUT: Treat Your Own Neck, Deste Foundation for Contemporary Art, Athens. With DAS INSTITUT
  • Kerstin Brätsch & DAS INSTITUT, (“Nichts, Nichts!”), Kölnischer Kunstverein, Cologne. With DAS INSTITUT

2010

  • (“Rien, Rien!”), Kerstin Brätsch & DAS INSTITUT, Centre d’art contemporain, Parc Saint Léger, Pougues-les-Eaux, France. With DAS INSTITUT 
  • BroadwayBrätsch / Corporate Abstraction, Balice Hertling, Art 41 Basel – Art Statements, Basel. With DAS INSTITUT
  • THUS!, DAS INSTITUT, New Jerseyy, Basel, Switzerland. As DAS INSTITUT, incl. Bake Your Favourite Artworks As Cakes, baking workshop by DAS INSTITUT
  • KAYA, 179 Canal, New York. As KAYA

2009

  • D.I.WHY Successful Apologies, Swiss Institute, New York. As DAS INSTITUT, with Debo Eilers, Nikolas Gambaroff, Allison Katz, and Lucas Knipscher, incl. food performance by DAS INSTITUT
  • BUYBRÄTSCHWÖRSTGHOSTS, Hermes und der Pfau, Stuttgart, (GER). With DAS INSTITUT
  • BUYBRÄTSCHWÖRST, Balice Hertling, Paris. With DAS INSTITUT and Jane Jo

2008

  • When You See Me Again It Won’t Be Me, Smith-Stewart Gallery, New York. With Adele Röder and Urania Fasoulidou, incl. The Announcement, performance by It’s Our Pleasure to Serve You

2007

  • Eva’s Arche und der Feminist #8, Passerby, New York. Incl. performance by It’s Our Pleasure to Serve You, and Debo Eilers with Nic Xedro

 

Gruppenausstellungen (Auswahl)


2021

  • Opening of LUMA Foundation Arles, (F)
  • Clouded in Vain, Ruhrding, Ruhrtriennale, As Mariechen Danz and Kerstin Brätsch
  • Produktive Bildstörung. Sigmar Polke und aktuelle künstlerische Positionen, Kunsthalle Duesseldorf, (Ger)
  • AB7: ECLIPSE, Athens Biennale, curated by Omsk Social Club and Larry Ossei-Mensah, Athens, Greece. As KAYA    
  • The Arcimboldo effect, Centre Pompidou Metz, curated by Chiara Parisi (Fr)

2020 

  • Winterfest, Aspen Art Museum, Colorado
  • 2020 Drawing show, Gladstone gallery NYC
  • The Botanical mind, Camden Arts Center, London (GB), curated by Gina Buenfeld and Martin Clark. Incl DAS INSTITUT
  • Jahresgaben, Kunstverein Düsseldorf, Germany
  • Radical Passivity, I NGBK Berlin.As KAYA/ with N.O.Madski
  • Radical Passivity II, HGB Galerie Leipzig. As KAYA/ with N.O.Madski 
  • four flags, Amsterdam, Netherlands. As DAS INSTITUT
  • Quadro, Deichtorhallen, Hamburg (GER), curated by Dirk Luckow including KAYA
  • Future Perfect, curated by Angelika Stepken and Phillip Ziegler, Evliyagil Müze, Ankara, Turkey. As DAS INSTITUT 
  • YOU, Musee d’Art modern de la Ville de Paris, Lafayette Anticipation Collection, curated by Anne Dressen (F). As KAYA

2019

  • Jahresgaben, Neuer Aachener Kunstverein NAK (GER). As KAYA
  • Jahresgaben, Kunstverein Braunschweig (GER). As KAYA
  • KAYA Giardini Firenze, feat. Kirsten Kilponen, Grillmaster Holger, Full-Fall, Davide Stucchi,    Beatrice Marchi, Effe Minelle and Giorgia Garzilli, Open studios Villa Romana. Florence (IT). As KAYA
  • Groupings, Kunstverein Braunschweig, (Ger). As KAYA and as DAS INSTITUT
  • 40,000, A Museum of Curiosity, Fellbach Small Sculpture Triennial 2019, curated by Brigitte Franzen, Fellbach (GER). As KAYA
  • The Magnetic Field, Gio Marconi, Milan, curated by Cecilia Alemani (IT)
  • Forever Young! 10 years of  Museum Brandhorst, Museum Brandhorst Munich (GER). Incl KAYA
  • The Art Side of Kartell, Palazzo Reale, Milano (I), curated by Ferruccio Laviani and Rita Selvaggio. Incl KAYA
  • Villa Romana Fellows 2019, KAYA, Marcella Moraga, Christian Naujoks, Rajkamal Kahlon, Villa Romana Florence (IT). As KAYA with Nicolas An Xedro
  • Future Perfect, curated by Angelika Stepken and Phillip Ziegler, Musée Theodore Monod d'Art Africaine, Dakar/Senegal. As DAS INSTITUT 
  • Hybrid Sculpture, Contemporary Sculpture from the Collection of the Stedelijk Museum, Amsterdam, Netherlands (NL). Incl KAYA
  • Rumeurs et Légendes, Musée d’Art moderne de la Ville de Paris (MAMVP), (F). As DAS INSTITUT 
  • Realismus mit Schleife, Kunstverein Harburger Bahnhof, Hamburg (GER). As KAYA with N.O.Madski


2018

  • Chthonic Rift, Kraupa-Tuskany Zeidler, Berlin, (GER). As KAYA
  • The Vitalist Economy of Painting, curated by Isabelle Graw, Galerie Neu / MD 72, Berlin (GER). As KAYA
  • Expérience Pommery #14 : L'esprit souterrain curated by Hugo Vitrani, Pommery caves, Reims (F). As KAYA featuring N.O.MADSKI 
  • 5 Million Years_Brätsch / Spichtig / Bonvicini, Deborah Schamoni, Munich, GER
  • HARSH ASTRAL - The Radiant 2, Green Tea gallery at Halle für Kunst Lüneburg (GER)
  • Future Perfect, M. K. Ciurlionis National Museum of Art Kaunas, Litauen. As DAS INSTITUT
  • AMORE ATOMICO DI AMORE DI LAVA (atomic love of lava love) Green Tea gallery Milano at VAVA. Curated by UNITED BROTHERS
  • HARSH ASTRAL - The Radiant 2, Green Tea gallery at Francesca Pia, Zurich, (CH)
  • Lemurenheim, Meyerkainer, Vienna, AT. Incl KAYA
  • Blind Faith, Between the Visceral and the Cognitive in Contemporary Art, curated by Julienne Lorz, Daniel Milnes and Anna Schneider, Haus der Kunst, Munich (GER). As KAYA

2017

  • Jahresgaben, Kunstverein Munich, GER
  • The Trick Brain, Aishti foundation, Beirut, curated by Massimiliano Gioni Wild West, Austrian Culture Center, NYC. As KAYA
  • The Leftovers, Simon Lee, NYC. As KAYA
  • Cul-De-Sac, Antenna Art Space Shanghai, China. As KAYA
  • Future Perfect. Contemporary Art from Germany, Museo de las Artes MUSA, Guadalajara, Mexico. As DAS INSTITUT
  • Whitney Biennial, Whitney Museum of American Art, New York. As KAYA
  • L’emozione dei COLORI nell’arte, Castello di Rivoli Museo d’Arte Contemporanea, Galleria Civica d’Arte Moderna e Contemporanea, Turin, Italy

2016

  • The End of the World, Centro Pecci, Prato, Italy
  • Blackmail, Svetlana, New York. As KAYA
  • Future Perfect. Contemporary Art from Germany, Museo la Tertulia, Cali, Colombia. As DAS INSTITUT
  • Homo Faber: A Rainbow Caravan, Aichi Triennale, Japan. With DAS INSTITUT and UNITED BROTHERS
  • Schiff Ahoy – Contemporary Art from the Brandhorst Collection, Museum Brandhorst, Munich
  • Die Marmory Show III. Guilty Pleasures, Deborah Schamoni, Munich
  • No. 6, Freedman Fitzpatrick, Los Angeles
  • Jahresgaben, Kunstverein Düsseldorf. As KAYA

2015

  • NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami
  • Off Cardinal Points, Kraupa-Tuskany Zeidler, Berlin. As DAS INSTITUT with Allison Katz
  • Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich. As KAYA
  • Full of Peril and Weirdness: Painting as a Universalism, M Woods Museum, Beijing. As KAYA
  • New Skin, Aishti Foundation, Beirut, Lebanon 
  • Take Me (I’m Yours), Monnaie de Paris. With Sarah Ortmeyer
  • Future Perfect. Contemporary Art from Germany, Museu de Arte Leopoldo Gotuzzo (MALG) and Casa 6, Pelotas, Brazil. As DAS INSTITUT
  • Dredgers on the Rail, Freedman Fitzpatrick, Los Angeles. As DAS INSTITUT with Allison Katz
  • Das unbekannte Meisterwerk, Galerie Meyer Kainer, Vienna
  • Works on Paper, Greene Naftali, New York
  • Future Perfect. Contemporary Art from Germany, Memorial do RS, Porto Alegre, Brazil. As DAS INSTITUT
  • Scenes for a New Heritage: Contemporary Art from the Collection, Museum of Modern Art, New York
  • The Radiants, Bortolami, New York
  • Yes We’re Open, Gió Marconi, Milan. As KAYA
  • Call and Response, Gavin Brown’s enterprise, New York
  • À vue de pied, à vue de nez, une exposition vraiment “underground”, Frac Aquitaine, Bordeaux, France. As KAYA

2014

  • The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York
  • One step ahead moving backwards, km temporaer at LEAP, Berlin. As KAYA with N.O.Madski
  • Future Perfect. Contemporary Art from Germany, Kaliningrad State Art Gallery, Russia. As DAS INSTITUT
  • Hypothesis for an Exhibition, Dominique Lévy Gallery, New York. With KAYA
  • Merike Estna and I’m a Painting, Kumu Art Museum, Tallinn, Estonia
  • Some Artists’ Artists, Marian Goodman Gallery, New York
  • Future Perfect. Contemporary Art from Germany, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland. As DAS INSTITUT

2013

  • EXPO 1: Rio, Museum of Modern Art (MAM), Rio de Janeiro, Brazil. As DAS INSTITUT with UNITED BROTHERS
  • The November Issue, Mathew Gallery, Berlin. As DAS INSTITUT
  • Curated by_Ei Arakawa, Why Painting Now?, Galerie Meyer Kainer, Vienna
  • Speculations on Anonymous Materials, Fridericianum, Kassel, Germany. As KAYA with N.O.Madski, incl. Friedrichsplatz Burial, performance by KAYA
  • Risk Society – Individualization in Young Contemporary Art from Germany, Museum for Contemporary Art Taipei, China. As DAS INSTITUT
  • Preis der Nationalgalerie für junge Kunst 2013, Hamburger Bahnhof – Museum für Gegenwart, Berlin. With DAS INSTITUT
  • Futur Perfekt. Vollendete Zukunft, Frankfurter Kunstverein, Germany. As DAS INSTITUT
  • The System of Objects, Deste Foundation, Athens. As DAS INSTITUT
  • Gaylen Gerber, Museum of Contemporary Art Chicago. As DAS INSTITUT with Allison Katz
  • EXPO 1: New York, MoMA PS1, New York. As DAS INSTITUT with UNITED BROTHERS
  • Catch as Catch Can, Locks Gallery, Philadelphia

2012

  • Kunstpreis der Böttcherstraße 2012, Kunsthalle Bremen, Germany. With DAS INSTITUT
  • Sunset Dance Workshop, performance as part of SORA: THE SKY, Fukushima Biennale 2012, Japan. By DAS INSTITUT with UNITED BROTHERS
  • Phantom LIMB: Approaches to Painting Today, Museum of Contemporary Art Chicago
  • Gaylen Gerber, John Henderson, DAS INSTITUT with Allison Katz, Family Business, New York. As DAS INSTITUT with Allison Katz
  • The Painting Factory: Abstraction after Warhol, Museum of Contemporary Art, Los Angeles. As DAS INSTITUT 
  • Group Show, Balice Hertling, New York. As DAS INSTITUT
  • The Piano Lesson, Vilma Gold, London. As DAS INSTITUT

2011

  • Group Affinity, Kunstverein Munich. Summer school with artist collective Grand Openings
  • Number Five: Cities of Gold and Mirrors, Julia Stoschek Collection, Düsseldorf, Germany. As DAS INSTITUT
  • Hasta Mañana, Greene Naftali, New York. As DAS INSTITUT with UNITED BROTHERS
  • ILLUMInations, 54th Venice Biennale. As DAS INSTITUT
  • After Images, Musée Juif de Belgique, Brussels

2010

  • 10,000 Lives, 8th Gwangju Biennale, South Korea
  • Held Up by Columns, Renwick Gallery, New York
  • The Pursuer, Greene Naftali, New York
  • Greater New York, MoMA PS1, New York. As DAS INSTITUT
  • Behind the Curtain, Gió Marconi, Milan
  • The Inhabitants, Vilma Gold, London. As DAS INSTITUT
  • AND SO ON, AND SO ON, AND SO ON, Harris Lieberman, New York. As DAS INSTITUT
  • Leopards in the Temple, SculptureCenter, New York. As DAS INSTITUT
  • Vertically Integrated Manufacturing, Murray Guy, New York. As DAS INSTITUT

2009

  • Tbilisi 6. Never on Sunday, various venues, Tbilisi, Georgia. With Tobias Madison
  • Non-Solo Show, Non-Group Show, Kunsthalle Zürich. With DAS INSTITUT, incl. food performance by DAS INSTITUT
  • Besides, With, Against, and Yet: Abstraction and the Ready-Made Gesture, The Kitchen, New York
  • Solaris, Gió Marconi, Milan
  • Modern Modern, Chelsea Art Museum, New York
  • The Generational Triennial: Younger Than Jesus, New Museum, New York. With DAS INSTITUT

2008

  • Paper Scissors Stone, Galerie Nordenhake, Stockholm
  • HIDDEN TREASURES – Objectives of artistic antecedent life, General Public, Berlin
  • Standard Sizes, Andrew Kreps Gallery, New York
  • When You See Me Again It Won’t Be Me / This Is the Waiting Room, performance as part of Nothing Is Exciting. Nothing Is Sexy. Nothing Is Not Embarrassing. Museum Moderner Kunst Stiftung Ludwig Vienna. 
  • By It’s Our Pleasure to Serve You
  • Kerstin Brätsch, Tue Greenfort, and Jordan Wolfson, Salon 94 Freemans, New York

2007

  • REGROUP SHOW, Miguel Abreu, New York
  • Exposition n°1, Balice Hertling, Paris
  • Fractured in Aspect, Andrew Kreps Gallery, New York
  • The String Show, Greene Naftali, New York


STIPENDIEN UND ART RESIDENCIES

2020

  • Peill Preis der Guenther Peill Stiftung, Germany
  • Helen Frankenthaler award for painting, Foundation for Contemporary Arts, NYC

2019

  • Villa Romana residency Florence, Italy . As KAYA

2018

  • Tokyo Wonder Site residency (TOKAS), Tokyo, Japan

2017

  • Edward Munch Award, Oslo, Norway

2014

  • Kunstpreis der Stadt Nordhorn, Germany
  • August Macke Preis, Germany

2013

  • Schweizerische Graphische Gesellschaft. As DAS INSTITUT
  • Shortlist, Preis der Nationalgalerie, Berlin

2012

  • Shortlist, Kunstpreis der Böttcherstraße, Kunsthalle Bremen, Germany

2011

  • Kunstzeitraum residency, Munich. As DAS INSTITUT

2010

  • Prix du Quartier des Bains, Geneva. As DAS INSTITUT
  • Emergency Grant Foundation for the Arts NYC. As KAYA

2007–8

  • Studienstiftung des deutschen Volkes, foreign grant

2007

  • Grant, Rema Hort Mann Foundation, New York

2006

  • Fulbright Fellowship

2004–2007

  • Studienstiftung des deutschen Volkes

Bibliografie 

Monografien und Kataloge

 

2020

  • Villa Romana Fellows/ KAYA, edited by Villa Romana, 59-64. Florence: Villa Romana. 

2019

  • Kerstin Brätsch_Ruine / KAYA _KOVO. Edited by Francesco Stocchi. Exh. cat. Rome: Fondazione Memmo. Rome: Nero.

2018

  • 2000 Words: Kerstin Brätsch. Edited by Karen Marta and Massimiliano Gioni. Athens: Deste Foundation.

2017

  • Kerstin Brätsch. Innovation. Edited by Patrizia Dander. Exh. cat. Munich: Museum Brandhorst. Cologne: Verlag der Buchhandlung Walther König. 

2016

  • DAS INSTITUT. Edited by Rebecca Lewin, Melissa Larner, and Agnes Gryczkowska. Exh. cat. London: Serpentine Galleries. London: Koenig Books.
  • KAYA. Edited by Eva Birkenstock. Exh. cat. Bregenz, Austria: KUB Arena Vol. 4, Kunsthaus Bregenz. Cologne: Walther König. 
  • Kerstin Brätsch. Unstable Talismanic Rendering Plates. Exh. cat. Milan: Gió Marconi. Cologne: Walther König. 

2015

  • Kerstin Brätsch / DAS INSTITUT. Kunstpreis der Stadt Nordhorn 2014. Edited by Thomas Niemeyer. Exh. cat. Nordhorn, Germany: Städtische Galerie Nordhorn.
  • Kerstin Brätsch: PELE’S CURSE. Exh. pub. Chicago: Arts Club of Chicago. 

2014

  • Kerstin Brätsch. Unstable Talismanic Rendering. Exh. cat. New York: Gavin Brown’s enterprise. 

2012

  • Kerstin Brätsch / Adele Röder. DAS INSTITUT Triennial Report 2011–2009. Edited by Kathrin Jentjens, Anja Nathan-Dorn, Beatrix Ruf, Katharina Hegewisch-von Perfall, and Sandra Patron. Exh. cat. Pougues-les-Eaux, France: Parc Saint Léger; Cologne: Kölnischer Kunstverein; Zurich: Kunsthalle Zürich. Zurich: Christoph Keller Editions, JRP|Ringier. 

2011

  • Thòi trang trè. New fashion 12, no. 566 (March 8, 2011).
  • DAS INSTITUT Annual Report 2010, Imported into the Ringier Annual Report 2010. Zurich: Ringier AG, ed.,  Corporate Communications and Ringier Vietnam Ltd. 

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die älteste Kunsthochschule im deutschsprachigen Raum

Architektur

Sep Ruf & Hascher Jehle Architektur

Professorinnen und Professoren

wissenschaftliches und künstlerisches Schaffen

Gremien

akademische Selbstverwaltung

Einrichtungen

zentrale Einrichtungen

Hochschulverwaltung

Zuständigkeiten & Kontakt

Lehrpersonal

künstlerische & wissenschaftliche Mitarbeitende

Corona-Informationen

Informationen für Studierende und MitarbeiterInnen der AdBK Nürnberg

Kontakt

Adresse

Akademie der Bildenden Künste Nürnberg


Bingstr. 60, 90480 Nürnberg

Telefon: +49 911 9404 0

Fax: +49 911 9404 150

info@adbk-nuernberg.de


Öffnungszeiten:

Die Verwaltung ist besetzt, wegen Corona aber grundsätzlich nur telefonisch oder per E-Mail erreichbar.

Verwaltung / Sekretariat

Montag bis Freitag, 8-12 Uhr


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Öffnungszeiten

Campus


Öffnungszeiten:

Vorlesungszeit: Montag bis Freitag, 7.30-19 Uhr / Samstag 9-13 Uhr

Vorlesungsfreie Zeit: Montag bis Donnerstag, 8-17 Uhr / Freitag, 8-14.30 Uhr


Werkstätten


Öffnungszeiten:

Montag bis Donnerstag, 8-12 Uhr und 13-17 Uhr / Freitag, 8-12 Uhr und 13-14.30 Uhr


Studierendensekretariat


Öffnungszeiten:

Montag bis Freitag, 8-12 Uhr


Prüfungsamt/ International Office


Öffnungszeiten:

Montag bis Donnerstag, 8-12 Uhr und 14-15 Uhr 

Freitag, 8-12 Uhr


Bibliothek


Öffnungszeiten:

Vorlesungszeit:

Montag & Dienstag:  9-18.30 Uhr

Mittwoch:  9-12 Uhr und 13-18 Uhr

Donnerstag:  9-17 Uhr

Freitag:  9-14 Uhr

 

Vorlesungsfreie Zeit:

Montag bis Donnerstag:  9-12 Uhr und 13-16.30 Uhr

Freitag:  9-12 Uhr  


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